Tag: innovation

Disability, Innovation, and Cultures: Lovely Cats Made of Care Bears’ Leggings

Speaker: Keir Williams

Abstract

Who is an innovator? What is innovation? In this lecture Dr Keir Williams, Lecturer in Design at the Centre for Innovation and Entrepreneurship will consider these questions by reflecting on a series of case studies from the world of disability arts and culture. It will draw on models of disability, social media influencers and tourettes-led superheroes.

Biography

Keir is a creative technologist, educator and researcher. Underpinning his approach to all three is a philosophy that recognises the potential for art, design and technologies to make and take on practical and effective roles in wider society and culture. His innovation research and practice considers participatory processes and structures in relation to accessibility, performance, advocacy and the potential of ‘playing the fool’ in all three. He has created commissions for organisations including TATE, ICA London, PS1 New York and Chapter Gallery, Cardiff. His recent creative technology work has included a performance and research residency in the arctic circle, and an oral history project with the MShed museum Bristol. Recent research projects include an ethnographic study on developing technologies for SEN mixed ability classrooms and an innovation training project with former Prisoners in Bristol.

View Keir’s website

 

Humans of Bristol University

Humans of Bristol University: Dave Jarman

BILT

Spotlight on ‘Voicing Vulnerabilities’

Dave Jarman is a Senior Lecturer of Entrepreneurship at the multi-award-winning Centre for Innovation and Entrepreneurship. Dave greets me at the Centre which sits high on the Clifton hilltops in the Richmond Building to reflect on well-being and the value of failing for growth. Large windows bring uplifting natural light into open learning spaces set up primarily for collaborative groupwork – something feels different here.

So Dave, what sort of initiatives are happening at the Centre for Innovation that consider staff and student well-being?

We do a scheme called ‘Random Coffee Trials’ started by NESTA (National Endowment for Science, Technology and the Arts. The charity got to 60 people and realised not everyone knew anyone anymore. The meeting was half an hour, a formal set-up (so staff knew they had to attend) but there was no agenda to the meeting, they had to invent the meeting agenda themselves. What NESTA found is that staff got to find out what everyone else did. They realised that many of them lived near each other, they had kids going to the same school – they got a great community piece out of this scheme. So, what we do is ask students to volunteer to participate every two weeks, we got 52 to participate in the scheme and I match them together and give them a 2 for 1 coffee voucher to meet and have a chat.

That’s great because I think the University community could benefit from ‘Random Coffee Trials’ facilitating interconnection outside of their familiar friendship networks and also between staff and students.

Yes, because loneliness can be a big issue in academia. Particularly in the masters and postgraduate communities.

So, I am trying to prompt more honest, open conversations about the meaning of success and failure to students and staff within the University. To represent the more vulnerable side of the Humans of University of Bristol rather than fabricate picture-perfect narratives that offer little opportunities for reflective thinking around our personal shortcomings, inadequacies and uncertainties.

There’s a piece here about how we create value for ourselves. Something about people relying on external reference seems relevant to what you are saying. We often ask: ‘Am I doing this thing in the right way?’, ‘Which night out should I go on?’ ‘Should I buy this item?’. We become dependent on people around us to validate and evaluate what is worth doing, then eventually we start to build up a sense of what is worth doing. The problem is we don’t always recognise the value in something until a few years down the line.  When I worked in CV reading, I found that students were typically bad at reflecting on the value in certain experiences, especially the experiences interpreted as failures. You almost need someone to offer that conversational space to help you decipher the value. Yes, that is partly the role of careers. But relying on careers and PDP does not always address the well-being side of things; careers can be, for some students, as intimidating as any other part of the university.

I don’t quite remember to point in which I realised this, but I did have a moment of realisation that I was getting more value from the extracurricular things I was doing than my academic studies. I probably took a cost-benefit analysis, though I definitely would not have called it that back then. When I look back, I think… I got a 2:1 by the skin of my teeth. I could have done better.  But actually, the part of my undergraduate degree which was most valuable for me were the soft skills I acquired, all the activities I participated in. All of these elements were integral parts of my student experience. The University does have a role in helping students get the most out of their experience here in whatever capacity that may be.

Yeah. It’s probably unwise to focus on only one part of our experience and start to think about ourselves as a whole. We are human beings, not study machines producing first-class academic results.

And the employers at the end of the process don’t necessarily want students to be that study machine either. Both you and the employers will value all the other bits about your time at university. I guess the thing Higher Education must consider is that students tend to be unfamiliar with reflecting on the value of certain experiences in their undergraduate degree.

I believe there could be something mutually beneficial in having a little more openness in the pedagogical interactions between staff and students. Where both humans engaged in dialogue cultivate an awareness that we are all negotiating doubt and uncertainty by articulating (where possible) our honest moments of vulnerability in academia. Having someone to reflect on failure with at university seems like a crucial means of mitigating negative, if not catastrophic reactions to academic failure.

Personally, I think being human and building some kind of personable relationship with students is part of being a good educator.

…And some of the most resonating knowledge that has been given to me was in a more open conversational capacity.

I think the idea of sharing stories between both parties is worthwhile in revealing the humans on each side. By and large, the tone I am adopting in this conversation is a tone that I often would adopt in the classroom. Some colleagues are not comfortable with that, some perhaps are too comfortable with that. I think it could be inappropriate to expect all staff to take up this approach if they are uncomfortable. But also, it’s partly about how we set up conversations about success and failure within the curriculum itself. So, for example, creativity naturally has to go through a lot of failure, you are not immediately going to come to the most interesting answer right away. Ninety-nine ways of doing something creatively can at first seem stupid, students must be confident with the possibility of being silly in their learning. Imagine being in a group of friends where you are confident being silly: we know that they will forgive us. Then imagine being in a group of people where you are not confident being silly. The former relationships are really good for us; it is where we build personal confidence. That confidence brings resilience. There is something here about humility, it is not always about knowing where we are good but knowing about our shortcomings and how we might be able to grow from them. I have always liked the idea that wisdom comes when we are prepared to admit what we don’t know about everything with certainty.

How can we help students admit that not everything can be known with certainty?

I do better by offering students multiple ways succeeding and failing. I have set my student’s impossible tasks, so students can’t do it, but we are examiners are interested in the process in how the student’s go about it.

Yes, embedding uncertainty into learning could prepare us more for the inevitable uncertainties the modern working world affords. I really enjoyed your recent blogpost about ‘How to Succeed at Failing’ how far do these reconceptualised notions of success, failure, and negotiating uncertainty feed into your vision for the Centre? Does the curriculum here help students reflect on the value of failure?

We are prompting students to be more reflective in their group work, especially concerning giving and taking peer advice. In terms of self-esteem, having people around who can give you affirmation, constructive criticism, and support feels quite useful.

I have personally not taken too well to criticism and the pressures of group dynamics, perhaps out of a fear of rejection, perhaps out of a fear of failing. What do you think about current perfectionist cultures in Higher Education where acute fears of failure are high among a number of students?

The culture of Higher Education has certainly changed since I was in it. When I came through university 20 years ago a 2:1 was great! To be honest, I worked on the career side of the university for a long time and a lot of employers can sometimes be suspicious of a first-class degree. Given the way that academia has developed, the process doesn’t necessarily prepare you for the workplace. Many employers are happy to see 2:1 plus participation in sports, societies, and student media. A 2:1 shows you are capable. It demonstrates a more rounded set of skills. This is not to say university should only be rolling students out for the workplace – I would disagree with that. But there is a space in university life for students to engage in extracurricular activities and projects outside the classroom. I think the reason we’ve ended up in this situation is because we are dealing with ever greater numbers of students and we tend to resort to quite simple measures and metrics to find solutions. Lots of the important things we could talk about regarding well-being area tend to happen in smaller, more thoughtful, and dedicated educational settings. It is possible to build up better networks in smaller institutions. Having four people in your class can give rise to better networks than socialising with four hundred people in your class. Here, I am going to argue somewhere down the middle is probably the most appropriate response. Equally, academia is good at thinking critically. People like to be right: things are either wrong or their right. People rarely stop and say “Well that is wrong. But it is usefully wrong. I can build on what you just said. Or at least I can not pass harsh judgement. We can thank each other for our contribution and work out how to do something better about it.” Much of the academy is not doing enough creative thinking around failure.

What about you? How do you tolerate your failures?

My creative confidence comes from many moments where I feel like I just make things up as I go along. Also, I recall conversations with colleagues who have experienced serious and disruptive moments in their life. Me and one colleague discussed ‘how do you make the most out of negative circumstances?’ We realised as the conversation drew to a close that we must try and find a positive frame in response even though that can feel quite mercenary. We were saying how it is partly about the fact that we must move forward with our lives – whatever happens. The rest of life does not just stop. Up to a point we do have to be ruthless and get ourselves back up after falling down and keep going. It is not about denying the disruptive things that life brings but trying to pay attention to at least a few positive aspects in our challenging day-to-day lives. Whether we deal with the challenges of bereavement by focussing on the present or by paying attention to the positive memories of a loved one. We do not deny the reality of their death but find a new frame when responding to negative things.

I see the power in your outlook, Dave. I often spend some time in the evening reflecting on moments I welcomed throughout the day. Sometimes the moments can feel seemingly simple like the sensation of a juicy orange on my tongue, or the feeling of connection between me and a friend on an evening spent catching up. The reflective process might not work for everyone, at times recalling the day can feel tedious, but in the long term you feel more secure, more satisfied. So, I will keep that close to me.

Owen Barlow, BILT Student Fellow, November 2019.

Teaching Stories

How to succeed at failing

BILT

The academic team from the Centre for Innovation and Entrepreneurship (CFIE) ran an interactive seminar at the International Enterprise Educators Conference (IEEC) annual conference in Oxford in September 2019. The subject was central to our core mission of enabling innovative and entrepreneurial students; how to handle the inevitable failures that arise from the process of trying to do something innovative. This seminar went on to win the ‘Best in Track’ award for the ‘Enterprise within the curriculum’ track, which shows how much interest there is in this topic. 

Failure plays a pivotal role in the literature of both innovation and entrepreneurship; from the necessary failures of any experimental method that probes new territory, through embracing ‘fast failure’ in Eric Ries’ Lean Startup methodology, to the notion of expert entrepreneurs undertaking ‘affordable losses’ in the effectual logic of Saras Sarasvathy; failure is everywhere, but it doesn’t mean seeking catastrophe, it means learning through small setbacks along the path towards discovering insights and creating value. 

“We fail our students when we don’t provide opportunities for failure in their Enterprise Education studies, our students fail themselves when they avoid failure at all costs. Therefore, we must design into our Enterprise Education curriculums specific opportunities to fail, reflect, and recover.” (Jones, 2019) 

In our interactive seminar we had over 20 colleagues from across the UK and beyond engaged in sharing their examples of failures they’ve witnessed or suffered themselves in the classroom. We used these examples and the discussion that followed to address three questions and identify some useful principles for other educators. 

How do you enable ideas to fail but students to succeed? 

Recognising that students can learn a lot through making mistakes we often try to cultivate a learning environment within which students can fail without being academically penalised. 

In the CFIE we use a lot of student project work; often group-based, in which the development of an idea is central. Whilst this project may carry a lot of weight we try to mitigate the risks to the students by marking their process or method rather than the idea; we also often include an element of reflection as a means for students to potentially have a car-crash of a project but still demonstrate how much they have learnt from the process. 

Similarly, IEEC participants also championed the use of both ‘rewarding the process not the outcome’ and ‘using reflection’ as the best means of marking the learning rather than the idea itself. Breaking the assessment down into discrete ‘chunks’ whereby each element might stand alone in the mark scheme rather than one poor element sabotaging the rest was also suggested, as were ‘offering multiple attempts’ and ‘providing very clear examples’. We really liked the suggestion to ‘set an impossible task’ whereby the outcome was doomed to fail but the process of undertaking it might still be usefully marked, and similarly to ‘work on someone else’s idea’ which again reduced the implications of the idea itself and focussed attention on the process used. 

How do you handle situations where students fail at the process of what is being taught? 

Sometimes students will fail to demonstrate or execute on the process or method that is being taught in a class despite our best efforts. Sometimes they will even chance upon a decent final output that as an educator you know is derived from a poor or inaccurate method. How do you deal with a failure to learn? 

Here in the CFIE we have had incidents where one or more students has not adopted the taught process and persisted in simply writing up an early concept despite all the evidence suggesting they iterate or pivot away from it, often in denial that their pet project has no traction with its intended audience. 

This might be a failure on the part of the educator to get the method across, so we tend to use a mix of staff feedback, peer review, and iterative steps to catch a bad idea before it gets too far. IEEC participants also heavily recommended the use of ‘checkpoints or viewpoints’ on a regular basis, and processes of ‘external and peer review’ as another means of catching bad ideas and reinforcing the adoption of a good process. Those reviewers might be other students (in the class or beyond it), mentors, external advisors, or guest speakers who reinforce the process taught. 

Opportunities to ‘hire or fire’ group members and similarly mechanisms that ‘reward or punish non-engagement in the group or the class’ were suggested as a means of making sure that individuals were participating, so hopefully picking up on all the cues to adopt the process! ‘Being clear about expectations’ was heavily recommended and again ‘multiple or iterative attempts’ might be a means of catching a poor process at an early stage. 

Given that as educators we need room to innovate and be enterprising in our classrooms; how do we deal with the inevitable risk of failure as an educator? 

The CFIE is still something of a start-up itself; we are only this year, 3 years after opening, teaching all four years of the new units written for our programmes. Inevitably not all the bright ideas we have for a unit work at the first attempt; so how do we manage at the front of a classroom when our ideas fail any or all of the stakeholders concerned? For example, this year we adopted not one, but four new assessment formats for a single 40-credit unit… Whilst one was a huge success and the others were all broadly effective the combined effect on the students and staff did create some uncertainty and anxiety that would have been gratefully avoided by all concerned.  

IEEC participants highlighted, above all other suggestions, the value of a ‘supportive culture’ in the department to undertake innovative approaches and manage the fall-out when they don’t quite work. This includes senior and peer encouragement (not just tolerance) and ‘license to experiment’. 

Linked to this was strong endorsement for ‘having time to evaluate’; so, colleagues can plan well, anticipate and respond to problems, and prepare examples and explanations to support students through new and unfamiliar processes; ‘modelling what success looks like’. Using ‘incremental adoption’ was also recommended, as was ‘sourcing and responding to feedback’. Time and tolerance are required on the part of colleagues, students, and from the educators themselves to not rush too far ahead too soon. 

Conclusions 

IEEC participants particularly championed the importance of focusing assessment on reflection and marking the process rather than the outcome and highlighted that the hardest thing to get right was finding the time as a staff member to do all these things to an effective standard. Getting the culture right to support failure as integral to learning was both championed as critical and acknowledged as hard to do. 

The seminar at IEEC was a great opportunity to share practice, gather up some great ideas, and validate a lot of our current approach. Thanks to the CFIE team: Ki Cater, Suzanne Cole, Sam Crawley, Dave Jarman, Andy Littledale, and Mark Neild. Thanks also to all those who took part and shared some of their hard-won experience! 

Dave Jarman, senior lecturer in Entrepreneurship and academic theme lead for Bristol Futures (Innovation and Enterprise).

Teaching Stories

Engaged Learning 101

BILT

During our smooth, buffer-free Skype call, Senior Lecturer in Design Thinking Ann Padley and I chatted about the fresh take the Innovation course at Bristol has undertaken. The 4-year integrated master’s programme collaborates with 14 subject disciplines (from Music, to Computer Science to Social Policy) and has a cohort of up to 80 students. The interdisciplinary programme is structured around two aims: i) specialisation in a subject and ii) the acquisition of practical skills and initiative.

‘Through the programme, we aim to make our students T-shaped graduates.’ What Padley means by this is that the course combines the breadth of practical skills students learn at the Centre for Innovation and Entrepreneurship with the depth of knowledge from their subject disciplines. But how does the programme strike this balance between breadth and depth?

The course encourages students to fully immerse themselves within the department of their chosen subject area by fulfilling the same unit requirements as Single Honours Students. The added dimension of students in Innovation comes through core units.  

These units are not graded with the typical summative exam students are used to. These assignments are not floating around waiting to be marked, processed and dissolved into the academic ether.

These assessments are not meant to be forgotten. They are meant to engage and be engaged with.  

Such assessments are business plans, client presentations, and proposals for new innovations organisations to consider… They are projects that burst through the bubble of academia.

The value of these projects does not only come from their unconventional format. They reside in collaborative partnerships students build with each other, their tutors and… external actors. That’s right, students work with professionals through the concept of engaged learning.

In a nutshell, engaged learning is that bridge where theoretical knowledge and the oh-so-desired work experience employers seek finally meet. But the experience isn’t a simple binary between academia and the professional sector. Engaged learning fosters skills like collaboration, creativity, problem-solving… Transferable skills and experiences that would make students well rounded scholars as well as well rounded people.

The projects that students take on are conceived through their working relationship with tutors and the organisations that supervise them.  These projects are usually a long-term process. 2-3 weeks are taken to flesh out and evaluate the parameters of assignment and 9-10 weeks are taken to execute the project throughout a Teaching Block. This extended effort allows students to engage with a project they co-produced with their tutors.  Students get to shape their project alongside their industry professionals and give them the opportunity to claim authorship of their work.

You could call the Innovation programme the lovechild between a consultancy position or start-up experience and a full-time degree. The programme is practically designed to whet students’ appetite for experience and quench recruiter’s thirst for well-equipped entry-level applicants.

Ten engaged learning projects were led last year on the Centre’s Client-Led Briefs unit with companies ranging from a top national law firm to Northern Surveying, a family-owned quantity surveying practice. Padley highlights that such projects allow the concept of engaged learning to be put into practice rather than being taught as an isolated ‘island’ concept that students learn about without applying it to their wider academic interests and/or working skills.  

Engaged Learning projects are a refreshing pedagogical step forward, however, they are not without their challenges. This type of learning makes students learn about the unavoidable obstacles of the working world. (Clients that are difficult to get a hold of, team members not pulling their weight, uncertainty about the best next step to take…etc.)

This is when partnership principles are put into place to mitigate the obstacles of such projects and to safeguard and preserve the interests of students, academics and the external institutions.

When conceptualising these principles, Padley states ‘We need these principles to be able to help shape the way engaged learning takes place and to build an ecosystem focused on creating value for all parties involved.’ For her, principles are not only put into place to guide methodology, but to manage power dynamics between parties and peoples. Padley states that as well as collaborating with others, students and staff should also learn to gage compatibilities and delegate responsibilities in a just manner.

This hierarchy of power and responsibility should be viewed as a network that encourages the collaboration of knowledge. In the Client-Led Briefs units, Innovation students are considered ‘junior consultants’ and their tutors ‘senior consultants’. These titles do confirm that a hierarchy does not necessarily negate a partnership but enhance it.

Padley highlighted that students are not ‘placing an order from a set, defined menu.’ Although I was a bit confused at first, this intriguing metaphor did make sense. Students aren’t placing a fast order of work experience to companies through a quick business transaction. Students must think about the impact of their order, and the contributions of their exchange. Companies are not cashiers, they are waiters, more interactive and receptive to the order. They let you know about the seasonal specials, the tasty work constraints, the crunchy financial plans…

Engaged learning is about understanding this academic transaction. Students, staff and academics do not just create a partnership to passively exchange notes, but to examine and evaluate the benefits of their collaborative efforts.

Innovation is entering its fourth year and is expected to export its first cohort of graduates next summer. When I asked Padley about the work opportunities her future graduates were expected to fall into, she said that some graduates would have the potential to start their own business, use their entrepreneurial mindset within existing organisations, go into consulting, or forge their own path into a completely different sector they are passionate about.   The Innovation programme’s incorporation of Engaged Learning is a glimpse into the future pedagogical landscape of tertiary education. This is hopefully a landscape where assessments and projects are no longer feared for their immediate numerical outcomes but valued for their emergent learning experiences.  

Corrie Macleod

500 Words, News

Is There Any Link Between Design Thinking and Essays?

BILT

The following post was written by James Norman, a BILT Fellow and Senior Teaching Fellow in Civil Engineering. 

It’s strange how a number of unconnected events can form an idea in your mind.

This weekend I stayed with my sister and we watched the film ‘Blood Diamond’, a harrowing film made in the early noughties about the illegal diamond trade. We started discussing the role of the press and, at a more meta level, the film industry, who were indirectly profiting from the same trade through film profits. It reminded me of a magazine I read a few years back called ‘Colors Magazine’. Each issue focused on a specific concept and the one that came to mind was Issue #86, which is all about making the news. In it there is a page on war photography, which included a harrowing photo seen in many newspapers. The magazine presented it by covering most of the photo and leaving just the part of the image widely presented in the press visible. Turn the page and you see the whole photo; it is a different story. Gathered around the incident are dozens of journalists and photographers capturing the moment. It is a shocking moment.

Fast forward a couple of days and I had the pleasure of meeting Ann Padley. Ann is a teaching fellow who works on the new innovation programmes and specialises in design thinking. As a designer of buildings and a teacher of people who design buildings, I would like to think I know a thing or two about design thinking. But it turns out there is a lot more for me to learn. Over a rushed lunch we discussed problem solving, problem definition and redefinition. We discussed narrative as well as more empirical ways to come to design decisions. We talked about the importance of active listening in problem definition. And we talked about something I have been struggling with, how do we differentiate between outcome and process? Is it possible for a student to successfully go through a design process but come up with a less successful solution and probably more commonly a successful solution without going through a successful design process (or at least unable to articulate the design process- something I have struggled with as an engineer across my professional career because it is actually really hard to do and requires a lot of practice)? Ann described the methods they use to set and assess design problems which don’t just focus on outcome but focus on the successful implementation of design processes.

Later that same day I spent a very enjoyable hour talking to Zoe Backhouse, one of the BILT student fellows. Our conversation was wide-ranging but covered different forms of assessment. We discussed the essays that she had written, and it started to occur to me that what is presented in an essay, much like the photos in the newspaper I mentioned at the beginning, is the story that we choose to tell. But what happened to all the other stories? How do we know that we have presented the right one?

These thoughts linked me back to my conversation with Ann. I realised that design thinking is not just important for designers but for anyone who is given a problem (or title) and then has to deconstruct the problem and find what the real problem is before deciding on the solution (when there are many possible solutions). Maybe not just engineers, but all of us would benefit both from learning to articulate not just the solution, but how we got there. The narrative around the solution. The options we considered and discarded. And maybe not only would we benefit from articulating this but also from discussing it with our friends and tutors. To receive feedback (or more precisely feedforward) not just on the output but on the processes through which we have gone to arrive at the solution (or essay).

Ann Padley is a Teaching Fellow in Design Thinking 3 days a week and is an independent consultant on design thinking for her other work days.

Zoe Backhouse is a final year student on the four year masters degree in Liberal Arts, she is a BILT student fellow and a fledgling zine maker. Zoe would welcome any musings, poems, doodles or cartoons from students & staff about your experiences of assessment at Bristol Uni. If you’re a student, you’ll get a £25 Amazon voucher for whatever you contribute! Email zoe.backhouse@bristol.ac.uk for more details.

Colors Magazine Issue #86 ‘Making the News’ published April 2013.